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	<title>Comments on: My Response: A Writer&#8217;s View</title>
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	<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/</link>
	<description>Stories, Series, Novellas and Online erotica</description>
	<lastBuildDate>Sun, 19 May 2013 19:56:09 +0000</lastBuildDate>
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		<title>By: Harper Eliot</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21099</link>
		<dc:creator>Harper Eliot</dc:creator>
		<pubDate>Tue, 04 Sep 2012 13:34:48 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21099</guid>
		<description><![CDATA[Ah… thank you. I couldn&#039;t agree more with you about feeling relieved when receiving rejections. If an anthology/publisher doesn&#039;t want my work, then I don&#039;t want to be published there. Clearly it isn&#039;t good enough or it simply doesn&#039;t fit. It would be like persuading someone who wasn&#039;t attracted to me to date me anyway. Pointless and it does me more harm than good.

As for the rest of this article, as someone who&#039;s keen to edit, it&#039;s really interesting to read. Definitely food for thought.

And more respect in general would be a damn good thing.]]></description>
		<content:encoded><![CDATA[<p>Ah… thank you. I couldn&#8217;t agree more with you about feeling relieved when receiving rejections. If an anthology/publisher doesn&#8217;t want my work, then I don&#8217;t want to be published there. Clearly it isn&#8217;t good enough or it simply doesn&#8217;t fit. It would be like persuading someone who wasn&#8217;t attracted to me to date me anyway. Pointless and it does me more harm than good.</p>
<p>As for the rest of this article, as someone who&#8217;s keen to edit, it&#8217;s really interesting to read. Definitely food for thought.</p>
<p>And more respect in general would be a damn good thing.</p>
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		<title>By: Remittance Girl</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21091</link>
		<dc:creator>Remittance Girl</dc:creator>
		<pubDate>Sun, 02 Sep 2012 18:22:31 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21091</guid>
		<description><![CDATA[Then I think I might be sunk. I have an historic sensitivity to seeing women accused of mental instability for expressing their sexuality. For me, for some reason, that strays way over into the political.]]></description>
		<content:encoded><![CDATA[<p>Then I think I might be sunk. I have an historic sensitivity to seeing women accused of mental instability for expressing their sexuality. For me, for some reason, that strays way over into the political.</p>
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		<title>By: Vida</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21089</link>
		<dc:creator>Vida</dc:creator>
		<pubDate>Sun, 02 Sep 2012 18:16:22 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21089</guid>
		<description><![CDATA[It&#039;s not, it&#039;s mental, absurdly so - if you can&#039;t laugh at that sort of thing, you&#039;re sunk. In my opinion.]]></description>
		<content:encoded><![CDATA[<p>It&#8217;s not, it&#8217;s mental, absurdly so &#8211; if you can&#8217;t laugh at that sort of thing, you&#8217;re sunk. In my opinion.</p>
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		<title>By: Remittance Girl</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21088</link>
		<dc:creator>Remittance Girl</dc:creator>
		<pubDate>Sun, 02 Sep 2012 18:13:31 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21088</guid>
		<description><![CDATA[See? I KNEW I my aging brain would forget to mention someone I adore. Gah... Yes, I think it must be!]]></description>
		<content:encoded><![CDATA[<p>See? I KNEW I my aging brain would forget to mention someone I adore. Gah&#8230; Yes, I think it must be!</p>
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		<title>By: Alessia Brio</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21087</link>
		<dc:creator>Alessia Brio</dc:creator>
		<pubDate>Sun, 02 Sep 2012 18:04:50 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21087</guid>
		<description><![CDATA[It is a thankless job.]]></description>
		<content:encoded><![CDATA[<p>It is a thankless job.</p>
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		<title>By: Remittance Girl</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21086</link>
		<dc:creator>Remittance Girl</dc:creator>
		<pubDate>Sun, 02 Sep 2012 17:22:41 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21086</guid>
		<description><![CDATA[Same goes for any academic submission I make. But it is also just a matter of respect and courtesy. Because reformatting 30 submissions is seriously time consuming and frustrating as hell. The time editors spend doing that is time they don&#039;t get to spend doing their actual job.]]></description>
		<content:encoded><![CDATA[<p>Same goes for any academic submission I make. But it is also just a matter of respect and courtesy. Because reformatting 30 submissions is seriously time consuming and frustrating as hell. The time editors spend doing that is time they don&#8217;t get to spend doing their actual job.</p>
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		<title>By: Big Ed Magusson</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21085</link>
		<dc:creator>Big Ed Magusson</dc:creator>
		<pubDate>Sun, 02 Sep 2012 16:51:04 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21085</guid>
		<description><![CDATA[Can&#039;t loop to reply above.

In my day job, we submit multi-million dollar proposals all the time.  Proposals that miss a single one of the call for proposal requirements are immediately rejected.  They asked for 100 pages and you wrote 101?  You had 0.5&quot; margin when they asked for 1.0&quot; margin?  It doesn&#039;t matter how brilliant your idea is, it&#039;s rejected.

The justification is that they don&#039;t want to waste their time working with people who cannot follow clear directions.  I don&#039;t see why that would be different for writing.  I haven&#039;t been an anthology editor, but I suspect I&#039;d just send those all back with &quot;rejected due to failure to follow the call for submission directions.&quot;]]></description>
		<content:encoded><![CDATA[<p>Can&#8217;t loop to reply above.</p>
<p>In my day job, we submit multi-million dollar proposals all the time.  Proposals that miss a single one of the call for proposal requirements are immediately rejected.  They asked for 100 pages and you wrote 101?  You had 0.5&#8243; margin when they asked for 1.0&#8243; margin?  It doesn&#8217;t matter how brilliant your idea is, it&#8217;s rejected.</p>
<p>The justification is that they don&#8217;t want to waste their time working with people who cannot follow clear directions.  I don&#8217;t see why that would be different for writing.  I haven&#8217;t been an anthology editor, but I suspect I&#8217;d just send those all back with &#8220;rejected due to failure to follow the call for submission directions.&#8221;</p>
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		<title>By: Remittance Girl</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21084</link>
		<dc:creator>Remittance Girl</dc:creator>
		<pubDate>Sun, 02 Sep 2012 16:42:38 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21084</guid>
		<description><![CDATA[The best reviews I have read were really more a matter of contextualizing the work either within the body of the writer&#039;s oeuvre or in terms of where it sits in the genre. It&#039;s far more helpful to readers to reveal that, for instance, Julian Barnes&#039; A Sense of an Ending&#039; takes its title from Frank Kermode&#039;s literary criticism on the use of time, memory and recollection in fiction, than to tear it apart. Because it gives the reader a framework with which to approach the book when they read it. It helps them orient themselves.

Good reviews of Gaijin let the reader know it is a story that deals with the subject of non-consensuality, and that this is a very controversial issue within the genre of erotica. But it also deals with the issue of how cultures simplify each other.  Then people can go on to say that the book spoke to them, or left them cold, or left them with unanswered questions. But at least NOW a reader knows a) is this a book I want to read and b) this is how I need to orient myself to get the most out of it. 

There are a lot of things to talk about in any given book that are fairly free of personal subjectivity. And sure, it&#039;s important to acknowledge one&#039;s personal reaction to a book, because books are meant to incite a personal reaction. But it&#039;s going to be different for every reader. Way before that, there&#039;s the basic stuff.]]></description>
		<content:encoded><![CDATA[<p>The best reviews I have read were really more a matter of contextualizing the work either within the body of the writer&#8217;s oeuvre or in terms of where it sits in the genre. It&#8217;s far more helpful to readers to reveal that, for instance, Julian Barnes&#8217; A Sense of an Ending&#8217; takes its title from Frank Kermode&#8217;s literary criticism on the use of time, memory and recollection in fiction, than to tear it apart. Because it gives the reader a framework with which to approach the book when they read it. It helps them orient themselves.</p>
<p>Good reviews of Gaijin let the reader know it is a story that deals with the subject of non-consensuality, and that this is a very controversial issue within the genre of erotica. But it also deals with the issue of how cultures simplify each other.  Then people can go on to say that the book spoke to them, or left them cold, or left them with unanswered questions. But at least NOW a reader knows a) is this a book I want to read and b) this is how I need to orient myself to get the most out of it. </p>
<p>There are a lot of things to talk about in any given book that are fairly free of personal subjectivity. And sure, it&#8217;s important to acknowledge one&#8217;s personal reaction to a book, because books are meant to incite a personal reaction. But it&#8217;s going to be different for every reader. Way before that, there&#8217;s the basic stuff.</p>
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		<title>By: Remittance Girl</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21083</link>
		<dc:creator>Remittance Girl</dc:creator>
		<pubDate>Sun, 02 Sep 2012 16:32:37 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21083</guid>
		<description><![CDATA[I read that one and thought it was offensive as hell. I don&#039;t see how attacking a writer&#039;s sanity is ever a legitimate piece of literary criticism.]]></description>
		<content:encoded><![CDATA[<p>I read that one and thought it was offensive as hell. I don&#8217;t see how attacking a writer&#8217;s sanity is ever a legitimate piece of literary criticism.</p>
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		<title>By: Kathleen Bradean</title>
		<link>http://remittancegirl.com/discussions/my-response-to-alison-and-sommer-the-writers-view/comment-page-1/#comment-21082</link>
		<dc:creator>Kathleen Bradean</dc:creator>
		<pubDate>Sun, 02 Sep 2012 16:32:32 +0000</pubDate>
		<guid isPermaLink="false">http://remittancegirl.com/?p=4609#comment-21082</guid>
		<description><![CDATA[I absolutely agree that it&#039;s unethical to review an anthology that you&#039;re in. Need we add that it&#039;s unethical to review your own novels? Okay, then I&#039;m saying it.]]></description>
		<content:encoded><![CDATA[<p>I absolutely agree that it&#8217;s unethical to review an anthology that you&#8217;re in. Need we add that it&#8217;s unethical to review your own novels? Okay, then I&#8217;m saying it.</p>
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